RE: this.
Dear Mr. Smith and Mr. Spielberg,
We all love Oldboy. Oldboy is a great film. In an age of fantastic and unique Asian films that are, for lack of a better term, culturally untranslatable for the masses (I couldn’t see an American version of Battle Heater working out), Oldboy stands out as a body of [...]

[Ed.'s note: this was received with a note from Chris Nash that read: "Here's your fucking Joan Crawford. Six typed pages of it. People need to know this stuff." And now we give it to you, gentle reader.]
I wasn’t a fan of Joan Crawford when I watched this collection. Other than Mildred Peirce, I [...]

If you ever wondered what would happen in Last House on the Left if the parents exacted revenge on the wrong people and replaced the soundtrack with The Spanish Flea, allow me to answer: it becomes a horrible movie called Otis.
Otis is a mess of a movie. It claims to be dark comedy/horror, yet succeeds [...]

On the surface, Raw Feed has a lot going for it. It’s an arm of Warner Brothers distribution centered on making straight-to-DVD low-budget horror and it’s headed by half the directing team of The Blair Witch Project and a few writers from The X-Files. Which is why I find myself disappointed with what they have [...]

When Colin Farrell’s star began growing in Hollywood I didn’t care. Not even Hart’s War could make me care.
Then I read a story about “A Home at the End of the World,” from writer Michael Cunningham (Academy Award winner, The Hours) and director Michael Mayer (Kid’s Choice winner, Flicka). The story was about Colin’s cock. [...]