No Idea Records doubleshot review!
Posted on September 18, 2008 by Jeremy Mersereau
Planes Mistaken For Stars
We Ride To Fight! The First Four Years
The first thing I heard from Planes Mistaken For Stars was their wicked awesome song ‘Belly Full of Hell’ off Up In Them Guts, which still stands as the best album title of all time. Anyway, I remember thinking, wow, this song is really complex and amazing, how I wish I had an auditory document of this band’s early days! OK, I didn’t really think that, but now that there is one, I’m glad I have it. Nothing on here is as balls-out killer as ‘Belly Full of Hell’, but that’s the point, right? The real reason this record is great is cause of the four Black Flag covers. Yeah, every remotely punk band in existence has some cuts from Damaged floating about somewhere, but I say with zero hyperbole that PMFS’s are the tightest. ‘Gimmie Gimmie Gimmie’ should’ve always sounded this exciting. Three hungry hungry hippos out of four.
Glass and Ashes
s/t
I’m gonna commit a punk-rock sin here and just come out with it. This is always awkward, but… I don’t like Hot Water Music, except for ‘Paper Thin,’ which is a totally rad song. They always came across as total bros who would totally have beat me up in high school, and then go play their burly everyman punk rock to the adulation of everyone, and gotten mad play in the process. Regardless of whether or not this is true (feel free to correct me with a well-placed comment below), that’s just how they came across to 17 year-old me. So how does this fit in with this Glass and Ashes record? Cause this record is like Hot Water Music sans the ultra-anthemic hooks, the burliness, and, to my lil ol’ ears, a whole lot more cred. That being said, this is a No Idea Record, all right. You got your crunchy power chords, you got your world-weary yelling guy, and you got your half-time breakdowns with the single-string riffage until you start picking it up and then rage some more. Glass and Ashes got their formula, and it works. Three Flava Flav clocks outta five.
The VSS
Nervous Circuits
So this isn’t really a review, it’s more of a check-this-shit-out-it’s-so-hype-you-can’t-miss-it deal. Hydra Head reissued this little gem of a record, and I thought to myself, JUICEBOXdotcom readers love amazing 90’s art-punk records, I must let them know! So, here we go. Lemme drop some knowledge in your headbox first. See, once upon a time (1991), there was this San Diego record label called Gravity Records, who were totally rad cause they had bands like Heroin, Antioch Arrow, Angel Hair, and this little two-piece band called the VSS. Gravity Records’ bands were all incredibly punk rock, but also super arty and weird, and none of them could really play (except for exceptions like Unwound). Anyway, The VSS were no different, except every song on Nervous Circuits is crazy good. You got screeching guitar ‘riffs’, weird-as-fuck electronics, rudimentary drumming, and this maniac yelping all over it. It was like all I listened to in Grade 11, and now you can pick it up with relative ease! Listen to ‘Lunar Weight’, officially the best song of 1997, if you don’t believe me. Sonny Kay, the band’s singer, went on to form the Gold Standard Laboratories label, which officially has one of the most solid hit-to-miss release ratios of any label ever, and the band Year Future, who also got my stamp of approval. Just thought you guys should know.
I always pop a huge double-boner for this band whenever I hear about them ‘cause a) their name is a total Star Wars homage, and b) they’re the ones responsible for the 
METAL
Of course, the first major RPG to enter the public consciousness was Dungeons and Dragons in the 80’s, but the 21st century is the RPG’s second coming. World of Warcraft has somehow transcended its origins and gotten to the point where even my mom has ‘definitely heard of it.’ And that’s only the tip of the iceberg. Did you ever read that book, Snow Crash? (Trick question, every nerd ever has read this book). Second Life is gonna make that shit a reality. 

